Confluence Art Exhibition: Meridian Arc, 2018

The “Confluence 2018” exhibition at John Curtin Gallery, featuring ceramic artists Warrick Palmateer and Pippin Drysdale, skillfully highlighted the dynamic interplay between Palmateer’s textured, robust, large-scale ceramic vessels and Drysdale’s exquisitely delicate, intricately coloured porcelain pieces. The contrast between Palmateer’s earthy, tactile approach and Drysdale’s refined, minimalist aesthetics celebrated the diversity in ceramic art and showcased the harmonious merging of distinct artistic visions. Drysdale and Palmateer’s united division is somewhat perplexing and complex in it’s nature – coming together in more ways than one while retaining aspects of separation. The works played off each other, creating a dialogue that was both visually and emotionally compelling and their synergy was seen as a testament to their ability to push the boundaries of their mediums and craft.

John Curtin Gallery Director Chris Malcolm noted that the exhibition celebrated the passion each artist has for different aspects of Australia’s natural environment, which deeply informs their work. Reviewers found the exhibition both visually stunning and conceptually rich. The display was lauded for its thoughtful curation and the way it honoured the unique relationship and collaborative achievements of Palmateer and Drysdale, making it a significant event in the Australian art scene  [Curtin University | Make tomorrow better] [Artshub].

To create his innovative, colossal ceramic works that blend coastal colors, intricate patterns, textures, and intuitive movement, Palmateer developed advanced techniques during his residency at BGC Brikmakers. This residency offered him access to state-of-the-art facilities and a collaborative environment with the Material and Kiln managers. It allowed him to adapt to the new firing conditions and experiment with techniques such as throwing, press moulding, slip casting, glazing, and firing. The result was a series of towering and intricately majestic pieces.

The exhibitions lighting and soundscape allowed for Palmateer’s pieces to intertwine seamlessly into the space, creating an experience that transcended the ordinary. One visitor described the exhibition as leaving him and his friends “wondering if the pieces were from outer space, deep under the sea, or somewhere in between.” Some visitors were so captivated by the energy that they felt inspired to dance among the artworks. Critics lauded the exhibition for its innovative approach and the profound impact it had on its audience.

Confluence was a significant stepping stone in Palmateer’s artistic journey. The lessons learned and the connections made during this period have continued to influence and inspire his current work.